All members

Singer · Songwriter · Percussion

Ryanne Flynn

At 19 in 2013, Ryanne is the youngest of the four Flynn sisters—a black-haired, emerald-eyed, freckled principal vocalist alongside Gael, with an immediate feel for the room.

Ryanne Flynn seated in a pub booth

In the band

She brings the room into the song.

Voice
Principal lead vocals and sibling harmony
Music
Songwriting
Instruments
Drum kit, bodhrán, and related percussion

Character in motion

The Grounding Spark

The spark is easy to spot in a live set: movement behind the kit, quick banter, and a joke ready before the previous laugh has quite finished.

Offstage, Ryanne notices tone, body language, who has stopped talking, and how quickly the person in front of her can move. She may answer with a joke, take an arm, move the conversation, or say the necessary thing plainly. Her older sisters have learned to pay attention when her language suddenly gets quiet.

Live

Behind the kit, in the conversation.

Ryanne is an audience-facing performer with a natural instinct for stage banter. Behind the drums or carrying a lead vocal, she pays attention to the room as much as the song. Humour can loosen a crowd, puncture tension, or give someone at the edge a way into the moment.

Her affectionate insults can become elaborate verbal machines. When the jokes stop, her sisters know to listen: Ryanne's language gets quieter, simpler, and very direct.

The drum story

Ryanne tells audiences that being the fourth and youngest sister is how she ended up with the drums.

Ryanne Flynn behind a drum kit during a live performance

Offstage / closer range

Connection without the stage lights

The same instinct, at a different volume.

Little kids often adore Ryanne because she speaks with them rather than at them, takes their interests seriously, and notices when they want space. With animals, she waits, watches, and lets them decide whether to investigate.

She looks after her people in much the same way—quickly, practically, and sometimes by protecting them from their own spectacularly bad decisions. Concern may arrive disguised as irritation, mock selfishness, or an elaborate explanation of why the current problem is deeply inconvenient to Ryanne personally.

Turn that attention back on Ryanne and an honest moment may be followed immediately by a joke; unexpected praise can leave the socially fearless youngest Flynn briefly unsure what to do with herself. Simpler truths require no reading of the room: she loves chocolate, and she considers cold weather a profound failure of judgement.